#Will farell throwing moneymoney how to
#Will farell throwing moneymoney movie

Where the movie gets into trouble is in the soon-to-be notorious “gay brunch” sequence. Now, whether that’s a juicy, can’t-miss premise for a studio comedy in 2015, I’ll leave up to you. What Ferrell’s James is so terrified of encountering in prison isn’t gay sex, it’s male-on-male rape. Now, what’s tricky about throwing the blanket of homophobia over Get Hard’s premise is that it isn’t a simple case of the “gay panic = comedy” or “acting gay = comedy” equation that makes movies like Boat Trip, I Now Pronounce You Chuck and Larry, and even (to a lesser degree) 22 Jump Street so troubling.

The ovation was for the two stars, doing a big, boombox-blasting entrance, with Ferrell literally prodding the audience, “Let’s get up! C’mon now!” and the two of them insisting the entire crowd get on their feet (“Are they up?” asked Hart, peering into the balcony) before starting the show. They did get a standing ovation at SXSW - before the movie played. Here’s where it gets sticky: Ferrell continues, “It played to a kind of standing ovation-type reaction,” to which Hart interjects, “Not kind of - it did!” And they’re right. Someone who made that comment also followed up by saying, I thought it was hysterical.” Fair enough! People tend to be super-complimentary in festival Q&As, especially in Austin. Of the SXSW Q&A, he says, “That’s a situation that was completely misrepresented. according to Rotten Tomatoes, several Hart vehicles have “gotten good critic reviews,” including About Last Night, Kevin Hart: Laugh at My Pain, and Kevin Hart: Let Me Explain.Īnd Ferrell doesn’t exactly shoot straight on this point either. Hart’s other, lousy movies have nothing to do with this conversation and 3. the comment at SXSW came from an audience member, not a critic 2. This is a comedy.” Um, three problems: 1. And if you feed into that as an actor or an actress, you’re in the wrong game.

I don’t think I’ve done one project that’s gotten good critic reviews, not one. The question of those stereotypes was initially raised at Cohen’s post-screening Q&A at SXSW, which included such audience comments as, “As a fellow Jew, I’ve got to say that this film seemed as racist as fuck.” In the Hitfix interview, Hart dodges the racism question entirely, instead insisting, “Here’s the thing, man, at the end of the day, a critic’s job is to critique. And, yes, the connected bits of business do trade in the kind of sad racial stereotypes that this very movie claimed to comment on - and set itself up against - with that “already thinks I am” line. Aside from an uproarious bit where Darnell tries to appropriate the plot of Boyz n the Hood as his own backstory, Get Hard’s social and racial politics pretty much disappear in the second half, in favor of a lame let’s-save-James thread and the movie’s real money shot, Ferrell playing gangsta, a trope that was already tired when Steve Martin trotted it out for Bringing Down the House a dozen years ago. That’s a great line, and a worthwhile concept for a legitimately subversive social satire the trouble is, that’s as far as Get Hard goes with it. Ferrell’s James is an on-point parody of the clueless white millionaire who’s totally convinced himself that he got where he is by hard work, advising Hart’s Darnell, “There’s winners and there’s losers, James, it’s what drives this country.” And when he hires Darnell based on the wholly unearned assumption that the blue-collar black guy has done time himself (he hasn’t), Darnell tells his wife that, for the money James is paying, he’ll “be every stereotype he already thinks I am.” In its early passages, Get Hard flirts with honest-to-goodness social and racial commentary, contrasting the morning rituals, home lives, and neighborhoods of its two protagonists. What’s interesting about this little controversy is that the discussion does require a bit of nuance - for both charges. Those questions were posed, quite directly, to the stars by Hitfix’s Louis Virtel - in a video interview that treats us to the sight of the movie-star duo straight-splaining to a gay reporter that their movie isn’t really all about the gay panic: And since Get Hard unspooled at SXSW last week, three questions have swirled around it: Is it racist? Is it homophobic? And if so, is it also funny? Oh, the culture clash! Oh, the shenanigans that ensue! You can pretty much set a countdown clock to when hopelessly square James will turn up in the hood, sagging and sporting Locs and spewing street slang.

#Will farell throwing moneymoney how to

Faced with a healthy prison sentence that begins in 30 days, he hires black working guy Darnell (Kevin Hart), who washes cars in his parking garage, to teach him how to survive (read: not get raped) in prison. In Etan Cohen’s Get Hard, out this Friday, ridiculously wealthy white asshole James (Will Ferrell) gets framed for Madoff-style investment fraud.